GRFF Campaign (25%)
Kickstart Posters with Essay (15%)
Kickstart Remix Posters with Essay (30%)
Online Journal/Artist's book (10%)
Quizzes (10%)
Participation & Attendance (10%)
This project involves three components: 1) a web page that links to an event
you will be advertising; 2) a viral campaign that uses various media to
draw people to your site, and ultimately to the event site; 3) an essay
documenting the genesis of your project. Your campaign, which will be designed
on the principles outlined in course readings (including theoretical readings)
and exercises, must lead the public to your web page. The web page itself
will serve as a gateway onto the GRFF Web site. This technique is used so
that we can keep track of the number of hits for GRFF generated by your
site. You will be graded on the design and effectiveness of your campaign
(15%), and the design of your web page (5%). In addition, each student will
be responsible for submitting a 3-4-page essay that discusses the project's
genesis (10%)
Each student will be responsible for developing two advertising posters
based on a single product “kickstarted” in class. To create
the posters, you must draw on at least one of the techniques described in
Mario Pricken's "Kickstart Catalogue." You must also draw on Alexander
White's "elements of graphic design." You will discuss your use
of Pricken and White's techniques to justify your posters in a 2-3-page
essay that will accompany your posters.
This project requires you to remix your kickstart posters
by "subvertising" your product. Drawing on the strategies of the Situationiste
Internationale, adbusters, and other advocates of resistance studied in
class, you will turn your ad campaign into a vehicle for social justice
or any ideology that might oppose your product. This exercise requires
you to completely shift roles, from a marketing professional to a purveyor
of propaganda. Begin by investigating how your chosen product might be
critiqued by those who oppose it. What ideology would resist the product?
How can you transform your current ads to reflect that ideology and to
clearly convey your message? Visit
adbusters.org
for examples of subvertising and culture jamming projects. You will be
graded on the design of your poster, as in the first assignment, but your
essay (7-10 pages) must justify your remix based on the readings in cultural
resistance studied in class. Put your own project in the context of
Adbusters
, the SI, and the events of May 1968 in Paris. You may also choose
to undertake a more ambitious ad campaign (beyond the poster), and critique
a product other than the subject of your kickstart project. This option
requires approval from the professor by Tuesday, November 11.